Monday, March 3, 2014, 7:30PM | at Dallas City Performance Hall
From left to right:
Daniil Trifonov began his musical studies at the age of five. He studied at Moscow Gnesin School of Music in the class of Tatiana Zelikman (2000-2009). From 2006 to 2009 he also studied composition and has continued to write piano, chamber and orchestral music since then. Since 2009, he has studied piano at the Cleveland Institute of Music in the class of Sergei Babayan. In 2008, at the age of 17, he received awards at the Scriabin Competition of Moscow and at the San Marino International competition. He also received a Guzik Foundation Career Grant in 2009, and toured the USA and Italy as a consequence of this.
Daniil Trifonov has won Grand Prix, First prize and a Gold Medal in the XIV International Tchaikovsky Competition in Moscow (2011). Daniil also won the Audience Choice Award and the Award for the Best Performance of a Mozart Concerto.
A few weeks earlier winning the Tchaikovsky Competition, Daniil Trifonov was awarded the First Prize and Gold Medal at the 13th Arthur Rubinstein International Piano Master Competition, which took place in Tel Aviv (2011). In addition, he also won the prize for the best chamber music performace, the Pnina Salzman Prize for the best performance of a Chopin piece and the Audience Favorite prize.
Daniil Trifonov – winner III prize in the 16th International Fryderyk Chopin Piano Competition in Warsaw (2010), awarded also special prize of the Polish Radio for the best performance of mazurkas.
Acclaimed for the immediacy, sensitivity and depth of his interpretations, Mr. Babayan’s performances reveal an emotional intensity and bold energy, equipping him to explore stylistically diverse repertoire. He is known for his innovative programming, often including modern works by composers such as Lutosławski, Ligeti and Arvo Pärt, and extending the boundaries of mainstream repertoire for which he continues to be acclaimed, excelling in Mozart, Beethoven, Brahms and Schumann as much as the Russian heritage of Rachmaninoff, Scriabin and Prokofiev.
His philosophy that a recital should reveal a spiritual dimension, results in playing which sustains an intensity that never fails to captivate. His performances of J.S. Bach have always garnered him both public and critical acclaim, and he firmly believes that the natural evolution of the keyboard instrument has led to the modern piano that allows the music to be fully expressed in this modern incarnation.